A Great Camp-Meeting in the Promised Land

musical notation for _Great Camp-Meeting in the Promised Land_
  · Midi version of the bar of music.

Refrain:
Oh walk togedder, childron
Dont yer get weary,
Walk togedder, childron,
Dont yer get weary,
Dere's a great camp-meetin' in de Promised Land.

Gwine to mourn an' nebber tire,
Mourn an' nebber tire,
Mourn an' nebber tire,
Dere's a great camp-meetin' in de Promised Land.

Gwine to hab it in heben,
Hab it in heben,
Hab it in heben,
Dere's a great camp-meetin' in de Promised Land.

Dere's a better day comin',
Better day comin',
Better day comin',
Dere's a great camp-meetin' in de Promised Land.

Sundquist, in To Wake the Nations (496-97) thinks that the lyrics are accomodationist, in marked contrast to the militant epigraph from Byron. Satisfaction is deferred to "heben." The words are in a possibly caricatured black dialect measured to please white audiences. But the song could have also been construed as an announcement of a secret meeting among the slaves according to Yolanda Y. Smith, in "He Still Wid Us—Jesus: The Musical Theology of Spirituals," in Christianity Today. That would contradict Sundquist's reading but it is not clear what would be the interpretation in its stead. Perhaps the song construed as an announcement is DuBois' call to action, a call for the non-accomodationists to get together, with the promised land being the world above the veil of racism. This would put Washington in the role of powerful oppressor, with the non-accomodationists meeting, perhaps in secret at first, to strike a blow against the neo-slavery of the "New" South.


Chapter Title of Chapter Chapter's Song Significance of the song Author Title Comment
3 Of Mr. Booker T. Washington and Others A Great Camp-meeting in the Promised Land Sarcastic selection? Not a master song Byron "Child Harold's Pilgrimmage" Who would be free must strike


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