August 20th, 2008 Rich
Another plugin maker who makes cool music is Skye Klein from Australia, who plays under the moniker of Terminal Sound System along with a bunch of other projects. His music, in TSS anyway, is dubby, minimalist, occasionally bordering on ambient but at other times moving towards industrial glitching. His latest album is Compressor, and another, Constructing Towers, is due out soon You can hear the latest music at the TSS site. His older stuff is all downloadable from Embryo Records. Among my favorites from the old stuff are minimal tolerance to injected errata, deep trauma, and tomorrow will not come, though I have not really listened to the whole catalogue yet.
His plugin and software site is arcDev Noise Industries, which has a frustratingly cool web interface that evokes some alien version of DOS or the ancient gopher net protocol. Type ‘help’ if you can’t figure it out.
I use two of his plugins a lot. The first is the aptly named hosebeast, which you can hear in action on rreplay‘s sizzle. Hosebeast is a “5-part fx processor for noisy, lofi, glitchy and general audio mayhem” with a filter, granulator, warper, bitcrusher, and ring modulator in any combination, including multiples of the same. In other words a FSU device.
The other great arcDev plugin is arcDev’s entry in the 2007 KVR Developers’ Challenge plugin contest, Ellipsis. It, along with mdsp‘s livecut, which I’ll discuss in its own post some time, are responsible for the drums in cubanecho and f it from rreplay. Cubanecho also relies on mdsp’s entry in the 2006 KVR Developers’ Challenge, fire. If you take a guitar and set it standing up with the strings against a tabletop, then pull it away a little and let go, then the strings will bounce on the edge of the tabletop ever more rapidly, just so: Booooooooing Booooing Boooing Boing Bng Bn bn bnbnbnbnbn (I take no responsibility for any damage to guitars or furniture this may cause). Mdsp has figured out how to mathematically model that warping speed change using delays in fire.
The way Ellipsis works is that you load ten samples into it, most usefully, drum loops that will more or less go together. You have to tweak the settings a bit to make the drums play at the right (or wrong!) speed. Then when you hit a corresponding note on your midi controller (usually a keyboard, but I use a footboard), it triggers the loop. You can set it for any BPM and it will speed up or slow down your loop accordingly, or sync it to your plugin host. If you only like the last half or the first quarter of the loop, you can play just that, or play it in reverse. One useful way to set it is to put the same drum loop in several times and play different portions of it frontwards or backwards to give some variation to the drums.
So that’s it for today. I couldn’t find any of mdsp’s music to play for you, but I hope you enjoy rreplay and Terminal Sound System.
Tags:
ambient,
arcDev Noise Industries,
dub,
ellipsis,
Eric Parker,
experimental improvisation,
fire,
hosebeast,
industrial,
livecut,
mdsp,
minimalist,
Rich Rath,
rreplay,
Skye Klein,
smartelectronix,
Terminal Sound System,
vst plugins
Posted in Eric Parker, Rich Rath, computing, electronica, guitar, music, rreplay | No Comments »
] Chris was unfortunately drowned out this session (maybe because we had live drums), but here the link gives a sense of the music and a little bit of rapping. That session we were joined by Jake, a sax player/rapper/beatmaker guy and drummer Justin. Did not catch their last names. Jake came back for an encore the third night and we got a few more good tracks. I’ll go through them and post an excerpt. rreplay is also recording some more, and hopefully we’ll finally get to mix our second album while I’m here in Boston. As usual, FB people may have to come to the blog at http://waymusic.way.net to hear stuff…never sure how that is going to work.
or for 
I finally broke down and bought 
.
