This is an old thing I probably wrote 30 years ago It is a bit orchestral in a post-trippy sort of way. It has words, and this is just a draft of it, but I was pleased with how it worked out. Hope you like it. As usual, FB people might have to come to the waymusic page (http://way.net/waymusic) to hear it. I hope you enjoy it. It is not my usual fare. I’m not sure if that means it is more or less likely you will like it!
For plugin freaks, the strings are from Cakewalk’s Dimension synth. The acoustic guitar is the Godin xTSA played through Voxengo’s Perfect Space, but with the convolution set to the sound of ice defrosting in Lake Baikal instead of crossing it with the usual acoustic guitar body. The loop for the acoustic sound is made with Mobius. The electric guitar in the rhythm is played through a twangy setting on Voxengo’s great free boogex amplifier then piped through the no longer available Glaceverb reverb set to model the inside of a piano with the sustain pedal down and all the string resonating. The electric guitar in the last half of the piece is again the Boogex, this time heavily distorted with the speaker modeling turned off and run through the same setting on the glaceverb.
For my friends who might not know, looping is the one of two ways to play with yourself live and not get arrested for it (the other way is to lucubrate). The term comes from the old way of doing it, which was to take a piece of reel-to-reel tape and make an endless loop out of it by taping its end to its beginning and then running it between two decks set however far apart the loop would stretch. I’m forgetting exactly how it worked, but you could basically record on one of the decks and it would playback a few seconds later on the next one while you were still recording on the first one. Depending on the deck, it could be set up for sound on sound, so that the recording got denser as you proceeded, or it would regenerate every time it went around if not.
Echoplex first managed to fit the whole contraption in a single box, but the tape heads were only a few seconds apart at most. The cool thing was to be able to move the tape heads while playing, giving a great flying saucer/swooping effect (heard about four minutes into this song by the Mess) and generally good for dubbing out.
It got stolen or I got drunk and sold it or something, and the Mess self-destructed fairly quickly, so the old echoplex is one more of a series of musical things I wish I never sold or lost. I was more or less broke through the rest of the 80s and 90s, so I missed the new digital loopers which for a thousand bucks or so would get you maybe thirty five seconds of loop. I started messing with vst plugins and software loopers in the late nineties. I could never afford a mac or protools, instead slowly worked my way into the wild world of windoze plugins (can you say “crash?”). Discovering Plogue bidule changed everything for me, and that is what I use for live playing and spontaneous recording today.
Software loopers come in many flavors and have reduced the price point from thousands of bucks to zero, as long as you have a computer and a sound card. I still have files from an old program called ambi-loop which was not half bad, but now my main loopers are mobius, when I can keep it running, an ancient, idiosyncratic plug called ellotronix which has some cool features (here hear), and a thing called Loopy llama, which is stable and never seems to fail. Mobius is the most advanced, being a dead knockoff of the thousand dollar digital echoplex except that the loops are however long your computer can stand it and you can stack up eight of them instead of just one like the hardware version. I also really like arc-dev’s free drum looper ellipsis (here/hear in action). It is versatile and easy to control externally. I like setting that up against another “accent” percussion loop in bidule’s looper, which lets you only play portions of a loop and leave the rest silent (hear here). That last one also uses a one-bar looper called repeatler with a neat feature of letting you slice chunks out of the loop as well as put them in. The mix is not finished, so it is a bit long. Here is a shorter one using repeatler if you are either in a hurry (just listen to this) or have too much time on your hands (listen to both).
If you like any of the music, I have tons more posted at Way Music, about half of which uses loops in one way or another.
I confess, I’m a plugin freak. I have at last count, about 500 VSTs and VSTis installed, and have just set up an ubuntu studio version of my desktop so I can try out the LADSPA plugs for linux.
I finally broke down and bought Oli Larkin‘s great dronebox and polycomb VSTs. I’ve been using an old demo version of dronebox for a while, but when I figured out how to run midi notes out of my guitar into the polycomb filter, the results were too cool so I straightened up and bought it. Dronebox is a set of six or seven resonant comb filters with all sorts of tweakable settings. You tune each one to a note, and when the corresponding note gets fed through, it resonates like a sympathetic string. I use it as the wash in these two ambient pieces: “ambient 040328” and “ambient 040428“. The loop is recorded live with the elogoxa Elottronix plugin, which has a great filter section you can hear tweaked in both pieces. A bit more rocking, this song combines the dronebox with another of my favorite plugs, Krakli’s TrAmp, in a song suitably named “dronebox tramp.” This time the looper is loopy llama or mobius, can’t remember which. Both are great…I’ve generally gone with loopy llama lately ‘cuz its simpler and uses less resources. You can hear it a lot in rreplay, where TrAmp, Dronebox, and DK+ drums, all get worked out regularly in plogue bidule. Mobius is a spot-on emulation of the Gibson echoplex. You can use the same manual for most of the controls. Oh, except mobius is like having 8 echoplexes. Oh, and with unlimited loop length. Oh, and its free instead of about a thousand bucks.
And now back to Oli’s plugins. If you want to know what polycomb will do to guitar, check out this freshly recorded piece, polycombatose, where I am just working through all the presets. The looper is loopy llama this time, recording just the bass (the trusty Hohner slammer run through an electri-Q eq and ruby tube tube emulator). Missing Eric on the bass… The drums on both dronebox tramp and polycombatose are from nusofting’s most excellent DK+ drum machine, this time imitating an ancient Acetone rhythm box. In order to get midi notes out of the guitar, I use G-Tune (which besides being a strobe-accurate tuner, converts the signal it reads to a midi note) and then run its midi out to a maple midi port. Of course, everything is played and recorded in one take via the ever-amazing plogue bidule.
Leave a comment if you wish, would love to know if you are listening.