rrecent rreplay rrecordings

The last three rreplay sessions are online in the rrepository, for April 14, April 25, and April 28.  Let’s see, from the April 14 session, I kinda like cello panetta for its faux strings (all mangled guitar, btw), steel driver for its beat, and round the perimeter for the synth line following the guitar around.  From the 25th, aoomph takes a while to get started but then closes out with some sicko guitar-following synth stuff.  This one will probably turn up again in edited fashion.  There is also convolution blues, which tries to go straight, but ends up, ummm, convoluted.  A couple more blues, this time with slide, start off the April 28 session. Here’s one, and here is the other.  The rest I need to listen to a little more before making a recommendation, but you can check ’em out in the rrepository, along with most everything else we’ve recorded.  WHy so much blues?  Maybe just got back from Chicago….

rreplay

Eric and I are putting together a demo cd to get gigs, and we will sort out what we think are the best cuts from our recordings here. If anyone is out there, we would love to know what you think of the songs. We have decided to call the band rreplay. We had been initialing all the songs rrep for Eric (EP) and me (RR), and Karen came up with a whole bunch of song titles punning on words beginning with “rep.” We thought rreplay sort of captures what we’re doing then, no? Anyway, on to the music.

My favorite thing we’ve done as of right now is a very loose cover of a chicha song by Los Mirlos — “Sonido Amazonico.” Ours is going by the name of “Amazonia Dub” right now. Chica is hybrid pyschedelic surf twang cumbia music played by hard partying Peruvians who had come to the oil boom cities of Amazonian Peru in the 1960s. Great stuff. You can find out more at Los Mirlos’s website and at Barbes Records, where you can hear a whole collection of Chicha songs. Once I heard it I had to get the album!

My second favorite song that clocks in under ten minutes is this one, which for now is called “cool keep” (We have to figure out what to do with the longer stuff, like this trip-hoppy kind of thing). I also like this little slide blues from last week. This is its rowdier sister. We’ll probably put one blues thing on just to mix it up.

Well, that’s all for now. As always check out all the free music on way.net if you like what you’ve found here.

Way Music…some new music

Eric Parker, from Boston, is in town for a few more months. He is a great bass player and we have been having weekly jams. You can hear him in his Boston outfit, a free form music project back east called Rabid Owl. We are probably going to set up a few gigs under the “way music” moniker (alternate name: rrep) as soon as I can get the laptop stable enough to take out. Here are some cuts from a recent session:

  • outer time” bass and granulated guitar
  • rreplay“– I’ll probably chop of the end jam a bit as it gets rrepetitive.
  • B&D” — don’t worry, it stands for bass and drums, the latter of which get a bit dubbed out.
  • Eric in the Evening in Reverse,” a 40 minute jam that we think progresses in the opposite way from Boston Jazz DJ Eric Jackson, who has a show called Eric in the Evening on WGBH. Jackson starts a set with some mellow jazz and gradually, imperceptibly, edges the music toward more and more out there. Monisha and I used to regularly put him on for dinner thinking “this is nice” only to be lured into a squawking, raucous, usually really interesting excursion. We start with the rawk and mellow out later, hence the title.

All the songs are mp3, stereo at 192k, recorded in one take, Eric Parker on bass, Rich Rath on guitars and computer. As always, share them, download them tell your friends. If you are interested in hearing more of my various projects, check out Way Music. We’d love to hear from you if you listen to us, so leave a comment.