Danelectro 1959DC12 electric 12 string review

The Danelectro 59X12 is a unique electric 12-string guitar known for its exceptional build quality and distinctive sound. Unlike traditional 12-string guitars, the Danelectro 59X12 features reversed string order, with the octave up string being struck first. This arrangement adds a bright attack and extra chime to the sound, giving it a unique character and resemblance to Nashville tuning.

One of the standout features of the 59X12 is its pickup configuration. It is equipped with a bridge double lipstick humbucker with a split coil push-pull switch, along with a dog ear single coil at the neck. This setup offers a wide range of tone combinations, allowing players to achieve different flavors of chime and jangle. Additionally, the unsplit humbucker and the single coil pickups are capable of handling distortion exceptionally well, making the 59X12 a versatile instrument for various musical styles.

Danelectro 59x12

When playing the Danelectro 59X12, you may find yourself using the tone control more prominently, especially when utilizing the coil split feature, as it can produce a overly trebly sound. It is worth noting that the tight arrangement of the saddles on the guitar can make setup a bit challenging.

In terms of amplification, my favorite chime setting involves using the bridge and neck pickups together, with the coil split engaged. This configuration delivers articulate yet throaty chime or jangle, depending on the amp and settings. Amp choices that complement the 59X12’s sound include treble channel Voxy amps with a touch of tremolo and reverb for chime or a Fender Twin style with the gain set at 7. A more modern sound would be a crystal clean amp like a JC120 with a touch of chorus. The JC 120 always sounds a little clinical to me, so I opt for a very clean tube amp like a Soldano on low gain. Adding the chorus to the signal can result in a tone Andy Summers might approve, or fit with a clean section of a metal song.

Whether played through traditional amplifiers or amp simulations, the Danelectro 59X12 offers a unique sonic palette with its incredible chime, jangle, and distortion capabilities. I obviously don’t own all the above amps, so I create most of the amps sounds using sims. If you’d like to hear and see different setups for the 59X12, I recommend checking out the “All That Jangles does not Chime” video on my Digital Guitarist Youtube Channel (link).

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Categorized as Rich Rath

The 16/61 Project

When I was sixteen, I used to think about 2020, saying to myself that I would be sixty then and that’d be strange, but it turned out way weirder than I could have imagined.

16/61 is a set of conversations between my sixteen-year-old self and the more or less present-tense version. The sixteen-year-old gets veto power on all the music, so I designed it to impress. That is, it has some loud stuff!

I have these five songs ready, a nice little EP’s worth with more on the way.

Not so much an archive, 16/61 arrives at an understanding between the two, an alienated runaway teen and an unexpected grownup. I’ve loosely drawn on sounds and music that I made and played as a teen to record now. Sometimes I had music but no words; sometimes vice-versa; sometimes scraps of each. Other times, it was just a sound—tone, really—that I had in my head that made me feel alive; Or maybe a story that was just true enough to run with.

These interior sounds transform when they meet the air. Making them real is a live process, like guitar feedback that grows the tones into things wondrous or terrible (or both!). When they enter a space, the sounds in my head can be shaped and pointed in a direction, ridden like waves, or grown like gardens, but never actually controlled. The experience is more like traveling together than being the boss of it, and I love the trip.

Music remains a place of refuge, a place for working things through, thinking and feeling outside the language box, for the sheer fun of playing to discover what I’ll hear this time.

For this gift – perhaps to you, but foremost just to me—I owe a troubled kid who chose to dream and to dare.